How to draw hair Master the Basics to improve your skill! by Sushirollw Make better art CLIP STUDIO TIPS
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Afterward, add depth to the hair by adding numerous lines to each lock of hair. If you enjoyed this tutorial on how to draw hair, you may also be interested in... Matthew Matthysen is an educated multidisciplinary artist and illustrator. He successfully completed his art degree at the University of Witwatersrand in South Africa, majoring in art history and contemporary drawing. The focus of his thesis was to explore the philosophical implications of the macro and micro-universe on the human experience. Matthew uses diverse media, such as written and hands-on components, to explore various approaches that are on the border between philosophy and science.
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Move your pencil to the hair part and sketch bouncy, cloud-like patterns until you are just above the shoulders (or wherever you prefer). Afterward, fill in the shapes of the hair with varying lines to give it texture, volume, and depth. The more you add, the denser the hairstyle will look.
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With the overwhelming amount of detail and commitment required, many people lose their patience and resort to a series of sloppy scribbles. Add more layers of strokes over top of the first one to smooth out the gradients and darken the overall shading. Again be sure to leave some distance between the strokes to give an effect of individual hairs. Once again as in the two previous examples apply an initial layer of strokes the define the light, medium and dark areas of the hair.
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Gradually add in the smaller folds and clumps of the hair to better define it’s shape. You can erase parts of the outline from the previous step where needed. Begin the drawing by first outlining the entire shape of the head (including the ears). Doing so will help you better estimate the volume of the hair.
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Learning how to draw hair or more specifically drawing female hair is a tricky task because all hair is different. However, when we draw straight hair, our lines have slight curves. When we draw wavy hair, such as in this tutorial, we draw hair that has a twisting motion.
Hair strands naturally collect and create a form (which is what I am referring to as a "clump"). Finally, when you've fleshed out your sketch enough, it is time to go over it in ink. So, using your pen of choice (we recommend a technical pen, like Sakura Pigma Microns), slowly go over the lines. If you want to add some variation to the hair texture, then try mixing up your pens with broader and finer types.
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The idea of hair you want to draw; study the hairline and flow, shape, gravity, and light source. This is quite important, and if you pay attention to the light source of your artwork, it will give you a big plus in your drawing. Below you'll see the finished portrait drawing from The Colored Pencil Course along with close ups of the marks used for stray hairs. From here, we can look for the relationships of values. Doing this may make the shapes of lighter and darker value stand out a bit more. To finish up, we'll add a few stray hairs that extend from the body of the hair.
Depending on what kind of hair you want to draw, you want to observe that particular kind of hair in real life. What you will notice is that the real hair is a series of lines that are clumped together and when overlapping creates shadowing. The aim is to draw a series of lines in segments that can be divided by the moments of overlap in the hair.
Step 3 – Draw the Outline of the Hair
Be sure to keep the strokes in the light and mid tone ares visible by leaving some distance between them. Begin by drawing the outline of the outside of the hair. Notice the dark areas and the light areas in the hair. Instead, concentrate only on shapes and the value within them. In fact, we'll use the same approach to draw hair of any style. The only exception with straight hair is that we're likely to see less dramatic changes in value.
He currently works as a freelance artist and writer in various fields. He also has a permanent position at a renowned online gallery (ArtGazette) where he produces various works on commission. As a freelance artist, he creates several series and successfully sells them to galleries and collectors. He loves to use his work and skills in various fields of interest. The duality of this gives the quality of how real hair sits naturally. You should apply pressure near the areas of the hair where they overlap.
As we develop the value range and create the illusion of form, we'll also consider the texture. If we keep these things in mind, then we can assume that (in most cases) the parts of the hair and the areas around the face will be darker in value since these areas recede. We also know that highlights are most likely to be found on the top of the head, closest to a light source above.
Finally, I added some strands which move in completely different directions than the original one, to balance the drawing composition and make it more attractive. Let’s keep in mind that there is always space between strands and over layers of hair, which builds up to create volume. I might change my mind later on, but this stage allows me to see my hair ideas more clearly. First, for drawing both female hair and male hair, we must define the hairline and areas of our character’s hair.
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Try and make the shading strokes in a way where they flow along the different hair clumps and folds. Also try and keep your strokes somewhat visible (don’t blend them too much) to create an effect of individual hairs as you shade. All of the examples in this tutorial will use fairly generic lighting with no particularly strong one directional light source.
After many times of trial error, I have a tip so you won't spend hours choosing the color of shadow, depth, and highlight. But if you have all the answers to the two steps you just passed or, perhaps, skimmed, then what you have to do is to follow the steps below. Once we have the main body of the hair developed, we can go back and add those stray hairs. Deliberate and confident marks work best for stray hairs.
Hair is soft, but there should be some indication of linear texture. To create the impression of linear texture, we'll apply the medium using directional strokes that flow over the form of each "clump" of hair. These lines are sometimes referred to as cross contour lines. Learning how to draw hair can feel like an ever-changing, dauntingtask at first.
We must consider the values and tones that are observed within the hair and include them in our drawing in order to communicate the volume of the hair. This means that we're likely to find the darkest darks, the lightest lights, and the middle values all within a head of hair. As we draw the contour lines, defining the overall shape of the hair, we'll also draw smaller shapes for clumps of hair.
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