Watch Star Trek IV: The Voyage Home Full Movie Online 1986 Movies-HD
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Much of the production was filmed in and around San Francisco during ten days of shooting. The production wanted to film scenes that were readily identifiable as the city. The use of extensive location shooting caused logistical problems; a scene in which Kirk is nearly run over by an irate cab driver required 12–15 cars to be repositioned if the shot was incorrect, taking a half-hour to reshoot. Other scenes were filmed in the city but used sets rather than real locations, such as an Italian restaurant where Taylor and Kirk eat.
Judging by the pollution content of the atmosphere, l believe we have arrived at the latter half of the 20th century. Uhura, can you modify the probe signals, accounting for density and temperature and salinity factors? The transmissions of an orbiting probe are causing critical damage to this planet. Perhaps you should transmit a planetary distress signal, while we still have time. Perhaps we could cover a little philosophical ground, life, death, life, things of that nature.
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The director read a book on extinct animals and conceived the storyline that was eventually adopted. Nimoy hit upon the idea of humpback whales after talking with a friend—their song added mystery to the story, and their size added logistical challenges the heroes would have to overcome. He described it as different from working on many other films because Nimoy appreciated the role of sound effects and made sure that they were prominent in the film. Since many sounds familiar to Star Trek had been established—the Bird-of-Prey's cloaking device, the transporter beam, et al.—Mangini focused on making only small changes to them.
The estimated delivery dates are based on the purchase date, the recipient's location, the vendor’s processing time and location, and the shipping carrier. Thanks to your restored memory and a little bit of good luck, we're walking the streets of San Francisco looking for a couple of humpback whales. The Voyage Home was first released on VHS home media on September 30, 1987.
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Estimated delivery dates - opens in a new window or tab include seller's handling time, origin ZIP Code, destination ZIP Code and time of acceptance and will depend on shipping service selected and receipt of cleared payment. Delivery times may vary, especially during peak periods. Much of the Cetacean Institute, Taylor's workplace, was created by using the real-life Monterey Bay Aquarium. A holding tank for the whales was added via special effects to the Aquarium's exterior. For close-ups of the characters as they watched the whales in the tank, the Aquarium's walls and railings were measured and replicated for a set on the Paramount parking lot.
The film opens with a dedication to the crew of the Space Shuttle Challenger. - European cinema versions contains a short summary of the two previous movies instead of dedication. The woman who answers Uhura and Chekov when they are looking for the nuclear "wessels" was an extra who was not supposed to speak. Layla Sarakalo had never acted before and was told to "act naturally". So when she was asked, she improvised an answer.
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One scene takes place by a large glass through which observers view the whales—and Spock's initiation of a mind meld—underwater. Footage of the actors shot in front of them as they reacted to a brick wall in the Aquarium was combined with shots taken from their rear as they stood in front of a large blue screen at ILM to produce this scene. The footage of Spock's melding with the whales was shot weeks later in a large water tank used to train astronauts for weightlessness.
The most important sounds were those of the whales and the probe. Mangini's brother lived near biologist Roger Payne, who had recordings of whale song. Mangini went through the tapes and chose sounds that could be mixed to suggest conversation and language. The probe's screeching calls were the whale song in distorted form. The humpback's communication with the probe at the climax of the film contained no dramatic music, meaning that Mangini's sounds had to stand alone. He recalled that he had difficulty with envisioning how the scene would unfold, leading Bennett to perform a puppet show to explain.
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He'll sing anywhere from 6 to as long as 30 minutes, and then start again. Ln the ocean, the other whales will pick up his song, and pass it on. Since the dawn of time, men have harvested whales for a variety of purposes, most of which can be achieved synthetically at this point. Lt is possible that an alien intelligence sent the probe to determine why they lost contact.
The song was also used in Paramount's Back to the Beach. S bridge from The Search for Spock, in turn a redress of the Enterprise bridge created for The Motion Picture. The scenes were filmed first to allow time for the set to be revamped as the bridge of the new Enterprise-A at the end of filming. Robert Fletcher served as costume designer for the film. During the Earth-based scenes, Kirk and his crew continue to wear their 23rd-century clothing.
After all other Bird-of-Prey bridge scenes were completed, the entire set was painted white for one shot that transitioned into a dream sequence during the time travel. Gillian learns the whales have been released early, and goes to Kirk for assistance. Gillian, Kirk, and McCoy rescue Chekov from a nearby hospital and return to the now recharged Bird of Prey. After saving the whales from whalers and transporting them aboard, the crew returns with Gillian to their own time.
Murphy disliked the part, and chose to make The Golden Child. The character intended for Murphy was combined with those of a marine biologist and a female reporter to become Gillian Taylor. Kirk and Spock discover a pair of humpback whales in the care of Dr. Gillian Taylor at a Sausalito aquarium, and learn they will soon be released into the wild. Kirk tells her of his mission and asks for the tracking frequency for the whales, but she refuses to cooperate.
S release from Christmas to Thanksgiving after research showed that the film might draw filmgoers away from The Golden Child. For the film in development in the 2020s, see Development of Star Trek 4. Stream all of HBO plus more TV, movies, and Max Originals at no additional cost.
This prologue has not been included on any North American DVD release of the film. My wife and myself are Star Trek fans, so we really enjoy it, over and over. Will usually ship within 1 business day of receiving cleared payment. Goodwill also provides barrier-free apartment complexes in which people with disabilities can live independently. Admiral, l have a signal closing in on the whales, bearing 328 degrees. Lf you change your mind, this is where l'll be.
L did not have time, on Vulcan, to review the philosophical disciplines. We have high hopes that this wiII, if successfuI, generate power to keep us alive. Lt's bad enough to be court-martialed, and spend the rest of our lives mining borite, but to have to go home in this Klingon flea trap...
The punk music during the bus scene was written by Thatcher after he learned that the sound for the scene would be by "Duran Duran, or whoever" and not "raw" and authentic punk. Thatcher collaborated with Mangini and two sound editors who were in punk bands to create their own music. They decided that punk distilled down to the sentiment of "I hate you", and wrote a song centered on the theme. Recording in the sound studio as originally planned produced too clean a sound, so they moved to the outside hallway and recorded the song in one take using cheap microphones to create a distorted sound.
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